Abstract Painting As Visual Language - by Kristen Phillips

COURSE

Abstract Painting As Visual Language

With Kristen Phillips

This course explores how Wassily Kandinsky, Mark Rothko, Agnes Martin, Hilma af Klint, and Sonia Delaunay each developed a visual language and guides you to experiment with finding your own. Each lesson pairs a short art history conversation with a guided practice inspired by that painter's approach. You'll work with color as vibration, emotional field, repetition, intuitive symbol, and rhythm. Not to paint like any of them, but to find out what happens when you try each approach with your own hand. A sixth integration session brings everything together and asks what you've begun to discover about your own visual language. Because this is an audio-only course, your imagination does the work a screen can't. You build the painting in your mind before your hand responds and allow curiosity and experimentation to lead the way. By the end, you'll have five practices to return to and the beginning of a visual language that's distinctly yours. Music sourced from MusOpen and Wikimedia Commons.


Meet your Teacher

Kristen Phillips is an abstract painter based in Bend, Oregon. For more than fifteen years she has made paintings rooted in visual language: how form, color, and mark-making communicate what words cannot reach. Her practice is grounded in the history of abstraction and in the conviction that visual language is accessible to anyone, not only trained artists. She teaches from alongside, offering her own process as a model rather than a method. In her view, making is a practice of attention. This course begins there.

read more

6 Days

0 students

No ratings

16 min / day

Creativity

English


Lesson 1

Wassily Kandinsky: Color and Vibration

Inspired by Kandinsky's belief that color vibrates like music, you'll make marks guided by sound and feeling. In this lesson, you’ll make art with no plan and no rules. Just color, instinct, and the freedom to experiment with what your hand wants to do.

read more

Lesson 2

Mark Rothko: Emotion and Depth

Rothko believed his paintings weren't pictures but spaces you entered with your whole body. In this lesson, you give color that much room. Through stillness and sensitivity, you’ll learn to let color become a vessel for feeling and reflection.

read more

Lesson 3

Agnes Martin: Rhythm and Stillness

Agnes Martin made paintings that look almost empty until you step closer. Only then do you notice the faintest pencil lines, evenly spaced across a pale surface. In this lesson, you draw repeating lines guided by breath and quiet attention, and find out what repetition does to your body, your mind, and the marks your hand makes.

read more

Lesson 4

Hilma af Klint: Symbols and Trust

Hilma af Klint trusted the images that arrived without her permission and kept them hidden for decades, believing the world wasn't ready. When her work was finally shown, it changed the history of abstraction. In this lesson, you practice that same trust: letting symbols rise without planning, without questioning, and seeing what your hand knows that your thinking mind doesn't.

read more

Lesson 5

Sonia Delaunay: Rhythm and Integration

Sonia Delaunay believed color and rhythm belonged in daily life, not only in galleries. She put abstraction on textiles, book covers, and cars, making it a living language. In this lesson, you bring everything from the previous practices into movement: vibration, emotion, stillness, and symbol, woven together into rhythm and color that dances.

read more

Lesson 6

Integration: Your Visual Language

Within the five pieces you made in this course, something kept showing up whether you planned it or not: a color you kept reaching for, a quality of line, a tendency toward density or open space. In this final session, you lay everything out together and look at what your hand has been saying all along as the beginning of a visual language that's distinctly yours.

read more


Trusted by 36 million people. It's free.

Insight Timer

Get the app