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Sound-Based
Sound and Silence Alternation is a contemplative practice that alternates intervals of sound with intervals of silence and draws your attention to the moments when sound begins and fades.
Last Updated
4 Jul 2026
We are still reviewing this page. Our research team checks every technique page for accuracy and evidence quality before final release. Details may change as that review completes. The evidence badge shows our current reading of the published research.
RECOMMENDED DOSE
No direct dose evidence; editorial synthesis. A short, low-commitment session a few times a week helps you learn to notice the transitions between sound and silence without strain.
No direct dose evidence; editorial synthesis. Once the basic rhythm feels comfortable, a moderately longer session on most days reflects the general conventions used across contemplative sound-and-silence practices.
No direct dose evidence; editorial synthesis. A longer daily session suits established practitioners seeking a sustained, deeper practice, and should be built up to gradually rather than adopted at the outset.
Session length
Session length: 5–10 minutes
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How long each individual practice session should last from start to finish.
Frequency
Frequency: 3–4 days
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DAYS
The number of days per week to fit a session into your routine.
Session length
Session length: 15–20 minutes
15
MIN
How long each individual practice session should last from start to finish.
Frequency
Frequency: 5 days
5
DAYS
The number of days per week to fit a session into your routine.
Session length
Session length: 30–45 minutes
30
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How long each individual practice session should last from start to finish.
Frequency
Frequency: 7 days
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The number of days per week to fit a session into your routine.
About this card. No direct dose-response literature exists for this technique. These recommendations are based on general practice conventions for contemplative sound-and-silence meditation and should be treated as starting points only. These recommendations are not a substitute for personalised guidance from a qualified practitioner.
Quick answers to what people most often ask. Each card links to the deeper section below.
evidence
No high-quality studies have tested Sound and Silence Alternation directly, so its effects remain unproven. Supporting evidence is indirect, borrowed from sound-bath and silence-meditation research plus the neuroscience of how the brain cycles between activity and quiet. That adjacent work makes calm or sharper hearing plausible but cannot confirm this specific method causes them.
Read moregood for
Sound and Silence Alternation may suit people wanting a simple way to quiet a busy mind, ease everyday stress, or feel more present and attuned to their surroundings. The alternating structure gives attention something clear to return to. It is exploratory, not a substitute for care when anxiety, trauma, or grief is severe.
Read moresafety
Most healthy adults can practise Sound and Silence Alternation with no reported harms. People carrying recent trauma, acute anxiety, or fresh grief should approach with care, since extended silence can let difficult thoughts surface and feel exposing rather than settling. Ease in with short silences, keep eyes open if helpful, and work with a guide when at higher risk.
Read morehow it works
Sound and Silence Alternation is thought to work by giving attention a repeating anchor: each time a tone arises and fades, the mind gets a fresh, clear target to return to, steadying focus. Lengthening silences sharpen your sense of the outside world through hearing, and repeated cycles may shift the body toward its rest-and-recovery gear, leaving you more settled.
Read moreA structured contemplative practice that alternates intervals of sound with intervals of silence, usually lengthening the quiet, while attention rests on the moments sound begins and fades.
A session alternates phases of sound, produced by a bell, singing bowl, voice, or music, with phases of silence that typically lengthen as the practice unfolds. Rather than treating the quiet as empty space between sounds, the practitioner rests attention on the transition points, the instant a tone arises from stillness and the instant it dissolves back into it. Several contemplative traditions treat these transitions as the central object worth investigating, so the boundary between sound and silence becomes the working focus of the practice.
This is not a sound bath, where continuous tones wash over a still listener, nor is it silent meditation on its own. Its defining feature is the deliberate alternation between the two and the attention paid to the boundary between them. It is also distinct from listening to music for relaxation, since the silence is treated as an equally active part of the practice rather than a gap to be filled.
Not to be confused with
Sound bath
A sound bath keeps sound flowing continuously; here silence is a deliberate, lengthening part of the practice, and the shift between tone and quiet is what you attend to.
Silent meditation
Silent meditation stays in unbroken quiet, while this practice alternates silence with intentional sound and uses the arising and fading of each tone as the anchor.
Binaural beats or brainwave entrainment
Entrainment audio uses engineered, steady frequencies aimed at nudging brain states; this practice uses ordinary sound and natural silence, with attention on the transitions rather than any entrainment effect.
Sound and Silence Alternation is thought to work by giving attention a repeating anchor: each time a tone arises and fades, the mind has a fresh, clear target to return to, which can feel like fewer spiraling thoughts and steadier focus. The lengthening silences are meant to sharpen exteroceptive awareness, your sense of the outside world through hearing, so faint sounds you would normally miss become vivid and layered. Repeated cycles of sound and quiet may also shift the body toward parasympathetic activation, which governs rest and recovery and can leave you feeling more settled and less braced. These explanations draw on research into related sound and silence practices rather than this alternation specifically, so they stay plausible rather than confirmed (Luczak et al., 2006).
What the body does during Sound and Silence Alternation has not been measured directly, so the physiological picture is borrowed from related sound and silence practices rather than proven for this one. In that adjacent work, a relaxed state goes with a slower heart rate, higher heart-rate variability, the beat-to-beat flexibility that tends to accompany a calmer nervous system, and lower blood pressure, changes a practitioner might notice as slower breathing, loosening muscles, and a body that feels less on guard. Because none of this has been recorded for the alternation protocol itself, these stay expected rather than demonstrated effects (Volgushev et al., 2006).
Limited evidence, most of it indirect, sits behind this practice, so no outcome has been confirmed for the alternation protocol itself. The calming and attention-steadying effects people hope for, less stress, a quieter mind, a heightened sense of presence, are plausible because related sound-bath and silence-meditation practices point that way, but they have not been demonstrated for this specific method (Luczak et al., 2006), (Hromádka et al., 2008). What is not yet supported: any controlled trials, effect-size estimates, or claims that this practice treats anxiety, depression, or any diagnosed condition (Volgushev et al., 2006), (Csercsa et al., 2010).
No high-quality studies have tested this specific sound-and-silence practice, so its direct effects remain unproven (Volgushev et al., 2006), (Luczak et al., 2006). What research exists sits alongside it rather than on it: the neuroscience of how the brain cycles between activity and quiet, plus mechanisms shared with sound-bath and silence-meditation work. That adjacent evidence can make the calm or sharpened hearing you may feel during practice believable, but it cannot confirm this method caused it, and study designs and participant groups vary widely (Hromádka et al., 2008), (Csercsa et al., 2010). It is worth exploring for how it feels, not relied on as settled clinical proof.
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Observational
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Pilot
The research is useful for setting expectations, but study methods and participant groups vary. Treat the findings as general guidance rather than a promise about any single session, and not a replacement for clinical care.
Precise Long-Range Synchronization of Activity and Silence in Neocortical Neurons during Slow-Wave Sleep
2006
Finding: This study used delicate brain recordings in sleeping cats to track how large groups of neurons switch between bursts of activity and near-total silence during deep sleep, finding that these on-and-off states begin almost in unison across cells more than a centimetre apart. That is a discovery about the brain's own electrical rhythms during sleep, and despite the shared word "silence," it has nothing to do with the pauses of quiet used in the Sound and Silence Alternation practice. In other words, it does not tell us whether this technique calms the mind, changes the body, or benefits anyone who tries it, and no study we found has actually tested the practice itself.
See full citation in referencesSequential structure of neocortical spontaneous activity <i>in vivo</i>
2006
Finding: This study recorded electrical activity from populations of cortical neurons in rats and mapped how spontaneous "active" and "silent" states ripple through brain networks even without any sound or stimulation. Despite the appealing overlap in language, it is about silence between brain cells during states like deep sleep, not the acoustic silence you rest in during a sound-and-silence practice, and it involved no human practitioners and measured no meditation outcomes. So while it is genuinely interesting neuroscience, it cannot tell us whether this technique calms the mind, changes physiology, or offers any benefit. High-quality studies specific to this practice simply do not exist yet.
See full citation in referencesSound and Silence Alternation grows out of contemplative traditions that treat silence not as empty absence but as a meaningful object of attention, something to be listened to and investigated (Freeden, 2022). In some Buddhist strands, emptiness and the ineffable are held up as a path, which is why the lengthening quiet and the arising and fading of sound are treated as worth attending to (Freeden, 2022). These roots help explain the practice's form, the deliberate placement of attention on silence and transition, not its clinical effects.
For most healthy adults, alternating sound and silence is a low-risk practice with no reported harms. A few situations call for a gentler approach. Extended silence tends to let quieter thoughts come forward, and for someone carrying recent trauma, acute anxiety, or fresh grief, that stillness can feel exposing rather than settling, with restless or difficult material growing louder before it eases. This is a mild-to-moderate caution drawn from practice experience and from how the practice is likely to behave, not from documented harm, because high-quality studies specific to sound-and-silence alternation are not yet available (Volgushev et al., 2006), (Hromádka et al., 2008).
People living with trauma histories, acute anxiety, or recent bereavement may want to modify the practice. Prolonged quiet with attention turned inward can raise affective arousal, the surfacing of strong or intrusive feelings, rather than quiet it. This is what similar contemplative work tends to do, not a measured outcome for this specific method. Dissociation is a related concern: if you tend to lose the sense of connection to your body or surroundings, introduce the sustained silent phases slowly and ideally alongside a trained guide.
Extended silence tends to let quieter thoughts come forward, and for someone carrying recent trauma, acute anxiety, or fresh grief that stillness can feel exposing rather than settling, with restless or difficult material growing louder before it eases. Ease in gently: keep the silent intervals short, sit with your eyes open, keep a clear way to return to sound or stop, and consider practising alongside an experienced teacher or clinician. Treat any distress that is intense or lasts beyond the session as a reason to pause and reach out to a mental health professional.
| Technique | Best for | Use with care | Evidence strength | Distinction |
|---|---|---|---|---|
| Sound bath | Passive, low-effort relaxation where a steady blanket of sound helps you soften and let go without tracking transitions. | If restlessness comes from too much stimulation, continuous sound may feel busier than the paced quiet of alternation. | emerging EVIDENCE | A sound bath immerses you in continuous, overlapping tones with little or no deliberate silence, so attention floats on an unbroken wash of sound. Sound and Silence Alternation instead opens intentional gaps of quiet between tones and makes the boundary itself, the moment a sound rises and the moment it dissolves, the working object. It belongs to the wider Sound Healing family this practice grew out of. |
| Silent meditation | Practitioners who already tolerate stillness well and want sustained, undirected inward quiet without a recurring sound cue. | Long unbroken silence can feel exposing for some people; the paced return of sound in alternation offers a gentler on-ramp. |
It is a contemplative practice that moves back and forth between intervals of sound, from a bell, bowl, voice, or music, and intervals of silence that usually grow longer, with your attention resting on the moment a tone rises out of stillness and dissolves back into it.
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It is a structured practice built around the contrast between sound and quiet rather than either one alone. A bell, singing bowl, voice, or piece of music sounds and fades while you sit or lie still, and the silent gaps typically lengthen as the session unfolds. Instead of treating the silence as empty space, the practice makes it an equal object of attention, so the transition points, where a tone arises and where it melts away, become the working focus.
By design. The silences lengthen deliberately to deepen the contrast between sound and quiet, so both feel more vivid and the moments a tone rises and fades become the main object of attention. This is a structural feature of the practice, not a proven clinical effect.
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By design. Lengthening the quiet is a built-in feature of the practice, drawn from contemplative traditions that treat silence as a meaningful object of attention rather than empty space (Freeden, 2022), (Freeden, 2022). The growing gaps sharpen the contrast so faint sounds stand out, and the transition points, where sound arises from and dissolves back into stillness, become the working focus. In practice it helps to ease in gradually, since extended silence can feel activating for some people rather than settling.
Steadying attention on a clear target so it stops drifting into worry or distraction. In this practice the anchor is the sound and the silence around it, and it tends to feel like a quieter, more settled mind that returns to the present more easily.
Focused attention and attentional selection: stabilizing attention on a defined object to reduce mind-wandering and support sustained present-moment focus.
Sensing the world outside the body through the five senses, here mostly hearing. As silence lengthens, faint sounds and textures that were background can become vivid, so the room may feel more alive and detailed.
Exteroception: conscious perception and interpretation of external sensory stimuli, distinct from interoception, the sensing of internal bodily states.
A shift toward the body's rest-and-recovery mode, largely through the vagus nerve, and away from fight-or-flight. It usually feels like softening tension, slower breath, and a steadier, calmer readiness.
Vagal activation and parasympathetic dominance: increased activity in the parasympathetic branch of the autonomic nervous system, associated with reduced heart rate and downregulated arousal.
Gradually sharpening how finely you can notice sensory detail, like tuning a radio until faint layers come through clearly. In practice, sounds and silences that once blurred together start to reveal subtle qualities.
Perceptual learning and sensory discrimination: progressive improvement in the resolution and sensitivity of attention directed toward sensory experience.
The small, natural variation in time between heartbeats, often used as a rough sign of how flexibly the nervous system is regulating itself. Higher variability generally tracks with feeling calm and adaptable rather than braced.
Maxim Volgushev, Sylvain Chauvette, Mikhail Mukovski, Igor Timofeev (2006). Precise Long-Range Synchronization of Activity and Silence in Neocortical Neurons during Slow-Wave Sleep. https://doi.org/10.1523/jneurosci.0279-06.2006
Cited in: Benefits, Faq, Research, Use with care, What happens in the body
Michael Freeden (2022). Silence, Stillness, and Solitude. https://doi.org/10.1093/oso/9780198833512.003.0006
Sparse Representation of Sounds in the Unanesthetized Auditory Cortex
2008
Finding: This study looked at how brain cells in the hearing part of the brain react to sounds in awake animals, mapping the patterns of activity these cells produce. It is a laboratory study of basic auditory brain physiology, not a test of the sound-and-silence practice itself, so it does not measure whether alternating sound and silence helps people relax, focus, or feel calmer. If you are curious about this technique, it is worth knowing that solid research on the practice as people actually do it is not yet available, and findings like these about neural responses cannot stand in for that missing evidence.
See full citation in referencesLaminar analysis of slow wave activity in humans.
2010
Finding: This study looks at the brain's own patterns of activity and silence and how the hearing centres respond to sound, not at the sound-and-silence practice itself. That means it can't tell us whether alternating sound and silence in a session calms the body, shifts mood, or changes anything you would notice while practising. If you're drawn to this technique, it's worth knowing that solid research testing it directly hasn't been done yet, so any benefits remain a matter of personal experience rather than proven results.
See full citation in referencesProlonged quiet with attention turned inward can raise affective arousal, the surfacing of strong or intrusive feelings, and for some people it can prompt dissociation, where the sense of connection to the body or surroundings slips away. If you tend to lose that connection, introduce the sustained silent phases slowly, keep your eyes open with grounding cues available, and ideally practise alongside a trained guide. This is a practice-informed and mechanism-inferred caution rather than a documented harm, since high-quality studies specific to this practice are not yet available.
Alternating sound and silence tends to be gentlest when you treat the quiet phases as something to grow into rather than push through, keeping early sessions modest and letting stillness lengthen only as it starts to feel spacious. A sensible starting format is a short, low-pressure session where you can stay comfortable, check in with how the quiet lands, and always have an easy way to return to sound or stop. If you are carrying trauma, acute anxiety, or recent grief, it helps to move slowly and, where you can, have an experienced guide alongside you.
Keep the silent intervals brief at first and lengthen them only as the quiet starts to feel spacious rather than exposing, so your tolerance for stillness builds gradually rather than all at once.
Sit with your eyes open if closing them feels activating, and know you can end the session or return to sound at any point. A clear way out makes the silence easier to stay with.
Check in with what the quiet brings up. A settled, easeful feeling is a sign to continue; a rising sense of restlessness or difficult thoughts that keep building is a sign to shorten the silence or pause.
If you are living with trauma, acute anxiety, or recent grief, work alongside an experienced teacher or clinician who can help you pace the silent phases.
Treat any distress that is intense, or that persists after the session ends, as a signal to stop and reach out to a mental health professional.
This information is educational and is not medical advice. This practice is not a substitute for professional care and should not replace prescribed medication or treatment for any medical or mental-health condition. If you are managing a health condition or taking medication, talk with a qualified health professional before changing your practice. If you are in distress or crisis, seek professional support.
| emerging EVIDENCE |
| Silent meditation stays in unbroken quiet from the start, asking you to settle into stillness with no external anchor. Sound and Silence Alternation keeps returning to sound, using the arising and fading of a bell, bowl, voice, or music as a repeated cue, so the silence is framed and contrasted rather than continuous. The audible anchor can make lengthening quiet easier to stay with. |
| Focused attention meditation | Building steady single-pointed concentration when you want one consistent anchor to return to across a session. | If a fixed anchor feels monotonous or hard to hold, the changing sound-and-silence structure may keep attention more engaged. | emerging EVIDENCE | Focused attention meditation rests on one fixed anchor, most often the breath, and gently returns to it whenever the mind drifts. Sound and Silence Alternation shares the anchoring move but keeps changing the object: attention repeatedly shifts between engaged listening and receptive quiet at each transition, training the capacity to move between focused and open awareness rather than holding a single point. |
Not proven. No high-quality or controlled trials have tested this specific alternation practice, so its direct effects are unconfirmed (Volgushev et al., 2006), (Hromádka et al., 2008). The calm and sharper attention people report are plausible by extension from related sound and silence work, not demonstrated for this method.
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Not proven. No controlled trials isolate this sound-and-silence practice, so calling it a reliable remedy would run ahead of the evidence (Volgushev et al., 2006), (Luczak et al., 2006). The support that exists is indirect, drawn from adjacent sound-bath and silence-meditation research and basic neuroscience, which can make the calm or heightened hearing you may feel plausible but cannot confirm this method caused it (Hromádka et al., 2008), (Csercsa et al., 2010). Treat it as worth exploring for how it feels, not relied on as settled proof or as treatment for any condition.
Possibly, but it is unproven for this specific practice. No controlled trials have tested sound-and-silence alternation for anxiety or stress, so calming effects are plausible by analogy rather than demonstrated (Hromádka et al., 2008). Treat it as worth trying for how it feels, not a reliable remedy.
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Possibly, but it has not been shown for this practice. High-quality studies specific to sound-and-silence alternation are not yet available, so its direct effect on anxiety or stress is unconfirmed (Volgushev et al., 2006), (Luczak et al., 2006). The calming people hope for is plausible because related sound-bath and silence-meditation work points that way, but the practice should not be framed as treating or reliably relieving anxiety or stress (Hromádka et al., 2008), (Csercsa et al., 2010). It is also worth knowing that extended silence can feel activating rather than settling for some.
Because each transition gives attention a fresh, clear target: the moment a tone rises out of quiet and the moment it dissolves back in. Resting there is thought to steady focus, an effect called attentional anchoring, while the contrast makes both sound and silence feel more vivid. This rationale is drawn from related practices, not proven for this method.
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The transitions are the working object because they repeatedly hand attention something clear to return to, which is meant to reduce mind-wandering and steady focus, an effect called attentional anchoring. The paired contrast is also thought to sharpen exteroceptive awareness, your sense of the outer world through hearing, so faint sounds become vivid as silence lengthens. Contemplative traditions have long treated the arising and fading of sound, and silence itself, as meaningful things to attend to, which helps explain why the boundary is the focus, not that it produces any clinical effect (Freeden, 2022), (Freeden, 2022). These mechanisms stay plausible but unverified for this specific protocol.
It may, but this is inferred, not measured. Cycling between sound and silence may shift the body toward parasympathetic activation, the rest-and-recovery mode, felt as slower breath and looser muscles, yet no study has tested this specific practice (Volgushev et al., 2006).
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It may. Repeated cycles of sound and quiet are thought to shift the body toward parasympathetic activation, the rest-and-recovery mode that tends to feel like a slower heartbeat, easier breathing, and less bodily tension. This reasoning is borrowed from adjacent sound-bath and silence-meditation work rather than measured for the alternation protocol itself, so it stays inferred rather than demonstrated (Luczak et al., 2006), (Hromádka et al., 2008). High-quality studies specific to this practice are not yet available, so treat any calm you notice as encouraging but unproven, and not a treatment for any condition (Volgushev et al., 2006), (Csercsa et al., 2010).
That is a common response, not a sign you are doing it wrong. Lengthening silence can let restless or difficult thoughts surface before they ease, so shorten the silent interval, return to sound, or open your eyes. If distress feels intense or lingers after the session, pause and reach out to a mental health professional (Hromádka et al., 2008).
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That is a common response. As the quiet lengthens and attention turns inward, restless energy or difficult thoughts can grow louder before they settle, which is a practical signal rather than a problem: shorten the silence, return to sound, keep your eyes open, or simply pause. People carrying recent trauma, acute anxiety, or fresh grief may find stillness especially activating and can ease in slowly or practise alongside a trained guide. This caution is practice-informed and mechanism-inferred rather than a documented risk, since high-quality studies specific to this practice are not yet available; treat any intense or lasting distress as a reason to stop and seek support from a mental health professional (Hromádka et al., 2008), (Volgushev et al., 2006).
Use care. This practice has not been studied in trauma survivors, and prolonged inward silence can surface difficult feelings rather than settle them. If you carry a trauma history, keep silences short, practise with eyes open and a clear way to stop, and ideally work with a trained teacher or clinician (Volgushev et al., 2006).
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Use care. There are no high-quality studies of sound-and-silence alternation in people with trauma histories, so this is a practice-informed and mechanism-inferred caution rather than a proven safe-or-unsafe verdict (Volgushev et al., 2006), (Hromádka et al., 2008). Extended quiet with attention turned inward can heighten affective arousal, the surfacing of strong or intrusive feelings. For some people it can also prompt dissociation, where the sense of connection to the body or surroundings slips away. A gentler approach helps: lengthen silences slowly, keep your eyes open and an exit available, and pace the practice with a qualified teacher or clinician. Treat any distress that is intense or lasts beyond the session as a signal to stop and reach out to a mental health professional.
Start simple: sound a bell, bowl, voice, or music, then let it fade into a short silence, resting your attention on the moment sound arises and dissolves. Keep the silences brief at first and lengthen them only as the quiet starts to feel spacious rather than exposing.
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Choose a sound source and alternate short spells of sound with short spells of silence, lengthening the quiet as it feels comfortable, while noticing the transition where a tone arises and fades. Sit with your eyes open if closing them feels activating, and keep an exit available so you can return to sound or stop at any point. Check in with how the stillness lands: an easeful feeling is a sign to continue, while rising restlessness or difficult thoughts that keep building is a sign to shorten the silence or pause. This is practice-informed guidance for beginning at home, not an evidence-backed treatment protocol; if you are living with trauma, acute anxiety, or recent grief, consider working with an experienced teacher or clinician.
The main difference is silence. A sound bath keeps you in continuous, overlapping tones with little or no deliberate quiet, while Sound and Silence Alternation opens lengthening gaps of silence and makes the moments sound arises and fades the thing you attend to. A sound bath is part of the broader Sound Healing family this practice grew from.
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The main difference is how silence is used. In a sound bath, tones flow more or less continuously and attention floats on an unbroken wash of sound; in Sound and Silence Alternation, intentional silences are placed between tones and gradually lengthen, so the transition points, where a sound rises out of stillness and dissolves back into it, become the working object. This is a structural and experiential distinction, not a claim that one works better: no head-to-head trials exist and both rest on limited, indirect evidence (Luczak et al., 2006), (Hromádka et al., 2008).
The exact moment a sound emerges from silence or dissolves back into it. In this practice these edges are the main thing to notice, and resting attention there is where the shift between focused and open awareness is trained.
Cited in: Faq, Roots and tradition, What it is
Artur Luczak, Péter Barthó, Stephan Lawrence Marguet, György Buzsáki, Kenneth D. Harris (2006). Sequential structure of neocortical spontaneous activity <i>in vivo</i>. https://doi.org/10.1073/pnas.0605643104
Cited in: Benefits, Faq, How it works, Research
Michael Freeden (2022). The Socio-cultural Filters of Silences. https://doi.org/10.1093/oso/9780198833512.003.0014
Cited in: Faq, Roots and tradition, What it is
Tomáš Hromádka, Michael R. DeWeese, Anthony M. Zador (2008). Sparse Representation of Sounds in the Unanesthetized Auditory Cortex. https://doi.org/10.1371/journal.pbio.0060016
Cited in: Benefits, Faq, Research, Use with care
Richárd Csercsa, Balázs Dombovari, Dániel Fabó, L. Wittner, L. Erőss, L. Entz (2010). Laminar analysis of slow wave activity in humans.. https://doi.org/10.1093/brain/awq169
Michael Freeden (2022). The Dog that Did Not Bark: Listening for Silence. https://doi.org/10.1093/oso/9780198833512.003.0008
Cited in: Roots and tradition
Editorially curated. Tracks are not themselves clinically studied; evidence on the page applies to Sound and Silence Alternation as a technique.
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