His Father's Son, Part Two of Three

In part two of Edith Wharton's witty but tender story about Mr. Grew and his beloved son Ronald, we learn that suspicion has been lurking in the son's mind ever since his mother's death. Edith Wharton was the first woman ever to win a Pulitzer Prize, which she was awarded for her novel The Age of Innocence. Music by Geoff Harvey.

Transcript

Hello,

It's Mandy here.

Welcome back,

And tonight I'll be reading you part two of the story,

Which by the way,

Comes from Edith Wharton's collection of stories,

Tales of Men and Ghosts.

But before we begin,

Please feel free to make yourself really comfortable.

I'll begin.

Ronald obeyed his father's injunction not to come to luncheon on the day of the Bankshire's dinner.

But in the middle of the following week,

Mr.

Grew was surprised by a telegram from his son.

Want to see you.

Important matter.

Expect me tomorrow afternoon.

Mr.

Grew received the telegram after breakfast.

To peruse it,

He had lifted his eye from a paragraph of the morning paper describing a fancy dress dinner which had taken place the night before at the Hamilton Gliddens for the housewarming of their new Fifth Avenue Palace.

Among the couples who afterward danced in the poet's quadrille were Miss Daisy Bankshire,

Looking more than usually lovely as Laura,

And Mr.

Ronald Grew as the young Petrarch.

Petrarch and Laura.

Well,

If anything meant anything,

Mr.

Grew supposed he knew what that meant.

For weeks past,

He had noticed how constantly the names of the young people appeared together in the society notes he so insatiably devoured.

Even the soulless reporter was getting into the habit of coupling them in lists.

And this Laura and Petrarch business was almost an announcement.

Mr.

Grew dropped the telegram,

Wiped his eyeglasses and re-read the paragraph.

Miss Daisy Bankshire,

More than usually lovely.

Yes,

She was lovely.

He had often seen her photograph in the papers,

Seen her represented in every conceivable attitude of the mundane game.

Fondling her prized bulldog,

Taking offense on her thoroughbred,

Dancing a gavotte,

All patches and plumes,

Or fingering a guitar,

All tulle and lilies.

And once he had caught a glimpse of her at the theatre.

Hearing that Ronald was going to a fashionable first night with the Bankshires,

Mr.

Grew had for once overcome his repugnance to following his son's movements.

And had secured for himself,

Under the shadow of the balcony,

A stall whence he could observe the Bankshire box without fear of detection.

Ronald had never known of his father's presence at the play.

And for three blessed hours,

Mr.

Grew had watched his boy's handsome dark head bent above the dense fair hair and white averted shoulder that were all he could catch of Miss Bankshire's beauties.

He recalled the vision now,

And with it came,

As usual,

Its ghostly double,

The vision of his young self bending above such a white shoulder and such shining hair.

Needless to say that the real Mason Grew had never found himself in so enviable a situation.

The late Mrs.

Grew had no more resembled Miss Daisy Bankshire than he had looked like the happy victorious Ronald.

And the mystery was that from their dull faces,

Their dull endearments,

The miracle of Ronald should have sprung.

It was almost fantastically as if the boy had been a changeling,

Child of a Latmian knight,

Whom the divine companion of Mr.

Grew's early reveries had secretly laid in the cradle of the Wingfield bedroom,

While Mr.

And Mrs.

Grew slept the deep sleep of conjugal indifference.

The young Mason Grew had not at first accepted this astral episode as the complete cancelling of his claims on romance.

He too had grasped at the high-hung glory and,

With his fatal tendency to reach too far when he reached at all,

Had singled out the prettiest girl in Wingfield.

When he recalled his stammered confession of love,

His face still tingled under her cool,

Bright stare.

The wonder of his audacity had struck her dumb,

And when she recovered her voice,

It was to fling a taunt at him.

Don't be too discouraged,

You know.

Have you ever thought of trying Addie Wicks?

All Wingfield would have understood the jibe.

Addie Wicks was the dullest girl in town.

And,

A year later,

He had married Addie Wicks.

He looked up from the perusal of Ronald's telegram with this memory in his mind.

Now his dream was coming true.

His boy would taste of the joys that had mocked his thwarted youth and his dull grey middle age.

And it was fitting that they should be realised in Ronald's destiny.

Ronald was made to take happiness boldly by the hand and lead it home like a bridegroom.

He had the courage,

The confidence,

The high faith in his fortune that compel the willful stars.

And thanks to the buckle,

He would have the exceptional setting,

The background of material elegance that became his conquering person.

Since Mr.

Grew had retired from business,

His investments had prospered,

And he had been saving up his income for just such a contingency.

His own wants were few.

He had transferred the Wingfield furniture to Brooklyn,

And his sitting room was a replica of that in which the long years of his married life had been spent.

Even the florid carpet on which Ronald's tottering footsteps had been taken was carefully matched when it became too threadbare.

And on the marble centre table,

With its chenille-fringed cover and bunch of dyed pampas grass,

Lay the illustrated Longfellow and the copy of Ingersoll's Lectures,

Which represented literature to Mr.

Grew when he had led home his bride.

In the light of Ronald's romance,

Mr.

Grew found himself reliving,

With a strange tremor of mingled pain and tenderness,

All the poor prosaic incidents of his own personal history.

Curiously enough,

With this new splendour on them,

They began to emit a small,

Faint ray of their own.

His wife's armchair,

In its usual place by the fire,

Recalled her placid,

Unperceiving presence,

Seated opposite him during the long,

Drowsy years,

And he felt her kindness,

Her equanimity,

Where formerly he had only ached at her obtuseness.

And from the chair,

He glanced up at the large,

Discoloured photograph on the wall above,

With a brittle brown wreath suspended on a corner of the frame.

The photograph represented a young man with a poetic necktie and untrammelled hair,

Leaning negligently against a Gothic chair back,

A roll of music in his hand,

And beneath was scrawled a bar of Chopin,

With the words,

Adieu Adèle.

The portrait was that of the great pianist,

Fortune Dolbrowski,

And its presence on the wall of Mr.

Grew's sitting room commemorated the only exquisite hour of his life,

Save that of Ronald's birth.

It was some time before the latter memorable event,

A few months only after Mr.

Grew's marriage that he had taken his wife to New York to hear the great Dolbrowski.

Their evening had been magically beautiful,

And even Addie,

Roused from her habitual inexpressiveness,

Had quivered into a momentary semblance of life.

I never,

I never,

She gasped out helplessly when they had regained their hotel bedroom,

And sat,

Staring back,

Entranced at the evening's evocations.

Her large,

Immovable face was pink and tremulous,

And she sat with her hands on her knees,

Forgetting to roll up her bonnet strings and prepare her curl papers.

I'd like to write him,

Just how I felt.

I wished I knew how,

She burst out suddenly,

In a final effervescence of emotion.

Her husband lifted his head and looked at her.

Would you?

I feel that way too,

He said,

With a sheepish laugh,

And they continued to stare at each other shyly through a transfiguring mist of sound.

Mr.

Grew recalled the scene as he gazed up at the pianist's faded photograph.

Well,

I owe her that anyhow,

Poor Addie,

He said,

With a smile at the inconsequences of fate.

With Ronald's telegram in his hand,

He was in a mood to count his mercies.

A clear twenty-five thousand a year,

That's what you can tell him,

With my compliments,

Said Mr.

Grew,

Glancing complacently across the centre table at his boy's charming face.

It struck him that Ronald's gift for looking his part in life had never so romantically expressed itself.

Other young men at such a moment would have been red,

Damp,

Tight around the collar,

But Ronald's cheek was only a shade paler,

And the contrast made his dark eyes more expressive.

A clear twenty-five thousand,

Yes sir,

That's what I always meant you to have.

Mr.

Grew leaned back,

His hands thrust carelessly in his pockets,

As though to divert attention from the agitation of his features.

He had often pictured himself rolling out that phrase to Ronald,

And now it was actually on his lips,

He could not control their tremor.

Ronald listened in silence,

Lifting a nervous hand to his slight dark moustache,

As though he too wished to hide some involuntary betrayal of emotion.

At first,

Mr.

Grew took his silence for an expression of gratified surprise,

But as it prolonged itself,

It became less easy to interpret.

I.

.

.

See here,

My boy,

Did you expect more?

Isn't it enough?

Mr.

Grew cleared his throat.

Do they expect more?

He asked nervously.

He was hardly able to face the pain of inflicting a disappointment on Ronald at the very moment when he had counted on putting the final touch to his felicity.

Ronald moved uneasily in his chair,

His eyes wandered upward to the laurel-wreathed photograph of the pianist above his father's head.

Is it that,

Ronald?

Speak out,

My boy.

We'll see.

We'll look around.

I'll manage somehow.

No,

No,

The young man interrupted,

Abruptly raising his hand as though to silence his father.

Mr.

Grew recovered his cheerfulness.

Well,

What's the matter then,

If she's willing?

Ronald shifted his position again and finally rose from his seat.

Father,

I.

.

.

There's something I've got to tell you.

I can't take your money.

Mr.

Grew sat speechless a moment,

Staring blankly at his son.

Then he emitted a puzzled laugh.

My money?

What are you talking about?

What's this about my money?

Why,

It ain't mine,

Ronnie.

It's all yours.

Every cent of it,

He cried.

The young man met his tender look with a gaze of tragic rejection.

No,

No,

It's not mine.

Not even in the sense you mean.

Not in any sense.

Can't you understand my feeling so?

Feeling so?

I don't know how you're feeling.

I don't know what you're talking about.

Are you too proud to touch any money you haven't earned?

Is that what you're trying to tell me?

No,

It's not that.

You must know.

.

.

Mr.

Grew flushed to the rim of his bristling whiskers.

No?

No what?

Can't you speak?

Ronald hesitated,

And the two men faced each other for a long,

Strained moment,

During which Mr.

Grew's congested countenance grew gradually pale again.

What's the meaning of this?

Is it because you've done something?

Is it something you're ashamed of?

Ashamed to tell me?

He suddenly gasped out.

And walking around the table,

He laid his hand on his son's shoulder.

There's nothing you can't tell me,

Boy.

It's not that.

Why do you make it so hard for me?

Ronald broke out with passion.

You must have known this was sure to happen sooner or later.

Happen?

What was sure to happen?

Mr.

Grew's question wavered on his lip and passed into a tremulous laugh.

Is it something I've done that you don't approve of?

Is it the buckle you're ashamed of,

Ronald Grew?

Ronald laughed too,

Impatiently.

The buckle?

No,

I'm not ashamed of the buckle.

Not any more than you are,

He returned,

With a sudden bright flush.

But I am ashamed of all I owe to it,

All I owe to you,

When he broke off and took a few distracted steps across the room.

You might make this easier for me,

He protested,

Turning back to his father.

Make what easier?

I know less and less what you're driving at,

Mr.

Grew groaned.

Ronald's walk had once more brought him beneath the photograph on the wall.

He lifted his head for a moment and looked at it.

Then he looked again at Mr.

Grew.

Do you suppose I haven't always known?

Known?

Even before you gave me those letters,

After my mother's death,

Even before that,

I suspected.

I don't know how it began,

Perhaps from little things you let drop,

You and she,

And resemblances that I couldn't help seeing in myself.

How on earth could you suppose I shouldn't guess?

I always thought you gave me the letters as a way of telling me.

Mr.

Grew rose slowly from his chair.

The letters?

Dobrofsky's letters?

Ronald nodded with white lips.

You must remember giving them to me the day after the funeral.

Mr.

Grew nodded back.

Of course,

I wanted you to have everything your mother valued.

Well,

How could I help knowing after that?

Knowing what?

Mr.

Grew stood staring helplessly at his son.

Suddenly,

His look caught at a clue that seemed to confront it with a deeper bewilderment.

You thought,

You thought those letters,

Dobrofsky's letters,

You thought they meant.

.

.

Oh,

It wasn't only the letters,

There were so many other signs.

My love of music,

My,

All my feelings about life and art.

And when you gave me the letters,

I thought you must mean me to know.

Mr.

Grew had grown quiet.

His lips were firm and his small eyes looked out steadily from their creased lids.

To know that you were Fortune Dobrofsky's son,

Ronald made a mute sign of assent.

Reviews

Exquisitely written… excellent reading and music, love it!